He is the author of two hardcover monographs of photography, Lost Boys and NYC Go-Go, and seven books of writings published in Russian. In the past decade, Mogutin’s photography and multimedia work has been exhibited internationally, including MoMA/P.S.1 and Museum of Art and Design in New York, Yerba Buena Center for the Arts in San Francisco, Station Museum of Contemporary Art in Houston, Australian Centre for Photography in Sydney, Witte de With Center for Contemporary Art in Rotterdam, Moscow Museum of Modern Art, Overgaden Institute of Contemporary Art in Copenhagen, The Haifa Museum of Art in Israel, and Museo de Arte Contemporáneo de Castilla y León (MUSAC) in Spain. Mogutin’s work has been featured in a wide range of publications including The New York Times, The Village Voice, Whitewall, Modern Painters, ArtUS, Vice, i-D, V, Visionaire, L’Uomo Vogue, Stern, and L’Officiel Hommes" (Bio taken from SLAVA MOGUTIN PHOTOGRAPHY Facebook Fan Page.)
These images are not erotic per se but emotional – an expression of love's natural freedom as opposed to repression's unnatural grip. In perfect contrast to Sebastian's horrifying noonday martyrdom in Williams' Suddenly, Last Summer, Mogutin's subjects live and perform in the open, in brilliant air, in full color and natural light.
Slava Mogutin's luminous pictures celebrate a polychrome Eden that has actually, largely arrived." Diego Cortez
All pictures have been taken with Lomography's Holga camera, whose plastic lens delivers the type of experimental accidents well known for all the analogue photography lovers. The exhibition at AS IF is open till June 25th, 2011.
In a conjunction with the show AS IF presents a limited edition artist portfolio in a boxed set of 25 chromogenic color prints, 5″ × 5″ each, signed and numbered on the verso, in an edition of 25.